PROGRAMS

FIN DU QUART DE SIECLE

The concept of Fin du siècle resonates with our current times, much like the closing of the 19th century, where people lived in uncertainty. Back then, amid the conditions of human degeneration, pessimism, and decadence, there was also a resurgence of values — a revival of the capacity to feel deeply and a renewed sense of hope. Today, we find ourselves in a similar moment, where despite the surrounding darkness, the potential for rebirth and the reawakening of the human spirit remain. Where once these themes emerged at the end of the century, today, just a quarter of that time is enough.

Borys Liatoshynskyi, From Three Preludes op. 38 on the Taras Shevchenko’s poetries
1. Andante sostenuto

Maurice Ravel Valses nobles et sentimentales

Mykhailo Chedryk Moments for piano

Mikalojus Konstantinas Čiurlionis, The Sea Cycle of small landscapes

Prelude in G minor (Sanctus Deus) VL 343

Prelude in D minor VL 344

Borys Liatoshynskyi, From Three Preludes op. 38 on the Taras Shevchenko’s poetries

3. Moderato con moto e sempre ben ritmico

Mikalojus Konstantinas Čiurlionis Prelude in B Minor VL 182a

DEI SUSSURRI E DEI TUMULTI

TAMARA MOLDAVCHUK soprano

ANASTASIA STOVBYR piano

M. Ravel Cinq Mélodies populaires grecques
K. Stetsenko Ascoltando la primavera
H. Alchevskyi L’anima è un mughetto tenero
H. Alchevskyi Non guardare la luna in primavera
G. Fauré Mandoline da Cinq Mélodies, op. 58
G. Fauré Les berceaux da Trois Mélodies, op. 23
B. Liatoshynskyi frammenti da Trois préludes, op. 38
L. Dychko Sulla barca
L. Dychko Il melo
L. Dychko Tu vuoi che ammali la selva?
B. Liatoshynskyi Antico da Tre arie su poesie di poeti cinesi, op. 17
C. Debussy “Chevaux de bois”, “Green” da Ariettes oubliées, L 60
G. Fauré Au bord de l’eau da Trois Mélodies, op. 8
G. Fauré Notre Amour da Trois Mélodies, op. 23

LIRISMI

FRANCESCA BONAITA violin
ANASTASIA STOVBYR piano

Ottorino Respighi, da 5 pezzi P 062 per violino e pianoforte, 1906
I. Romanza
IV. Berceuse
V. Humoresque
Borys Liatoshynskyi, Sonata op 19 per violino e pianoforte
I. Allegro impetuoso
II. Tempo precedente. (Maestoso e pesante ma non troppo lento)
III. Allegro molto risoluto
Karol Szymanowski, Romanza op 23 per violino e pianoforte
Viktor Kosenko, Due pezzi per violino e pianoforte op 4 bis
I. Sogni
II. Impromtu
Yuliy Meitus, Tre Pezzi per violino e pianoforte
I.⁠ ⁠Poema
II. Nocturne
III. Allegro

SOUND OF THE UNITED EUROPE
WITH LIDIA LIBERMAN

Roads of sound that unite Europe. The roads, the paths, the streets - the lines that unite people, cities, and countries. I invite you to join me on a musical journey through Europe. During the evening donation to Casa Ucraina were open - a shelter for women fleeing war.

A classical music concert performed with the sounds of

Beethoven, Kurtag, Shmurak, Vyshynsky and Silvestrov.

Each piece is opened with poems and prose by Lidia Liberman:

Rilke, Natalia Ginzburg, Saint-Exupéry, Oksana Stomina, a poet from Mariupol, and Anna Gin, from Kharkhiv.

DIALOGAI SU ČIURLONIU

A musical journey that begins in the north and ends in the east. The miniatures in this program introduces the listener to the permafrost lands of Greenland, various paths and tracks between mountains and streams, the starry sky and planets.

The majority of the program combines human reflection, eternal and sacred themes for man.

Musics by M. K. Čiurlionis, A. Šenderovas, Valentyn Silvestrov, Alexey Shmurak, Mykhailo Chedryk and Vitaliy Vyshynsky. It is meaningful that the program is crowned by M. K. Čiurlionis' "Prelude to the Angel of the Lord".

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